SET WORK

On set, I primarily work as a gaffer and in the grip and electric department. Working with an array of directors and cinematographers, my goal is to craft intentional light to elevate the story and performance. My work centers on using light as a narrative tool—guided by taste, clarity, and an instinct for what the story needs most.

Behind the Scenes of Bedroom 42 (2026)

Behind the Scenes of The Desk (2026)

Behind the Scenes of Echoes of Justice (2026)

Behind the Scenes of The Desk (2026)